Synopsis:
After returning from a wedding
reception, James Hoyt (Scott Speedman) and Kristin McKay (Liv Tyler) make their
way to an isolated vacation house. What should have been a romantic
evening between the two quickly turns horrific when they receive a knock on the
door. Finding a stranger outside who poses a troubling question, the couple
sends her on her way and the uneasiness of the evening settles in.
Knocking returns, more violently than before and what ensues is an invasion by
three strangers, their faces hidden behind masks. The couple find themselves in
a violent struggle, in which they go beyond what either of them thought capable
in order to survive.
The
Freak's Rating: D+ : I enjoy a good scare as much as the
next guy. Going to movies alone is a necessary part of being a movie
critic. I just can't always find someone to go with, especially to a film
like The Strangers. I walked into the theater, spotting 2 groups of 2
people each. It seemed a total audience of five would be watching a horror
movie that started at 5pm. I suppose I shouldn't have been too surprised.
I made my way to my usual seat, 3 rows up, dead center and made myself
comfortable. As I glanced over my right shoulder and saw a suspicious man
seated behind me, I realized I was breaking the cardinal rule of horror movie
watching. You can't sit with your back to anyone! It may sound
incredibly cheesy, but when I'm home watching a horror movie I still go around
the house locking doors and windows beforehand and glance over my shoulder every
now and then...if its a good one of course. What can I say? I throw
myself into movies full steam ahead. So I made my way up a couple rows
where everyone would be in front of me. Ahh, now I could relax. I
was now ready to watch The Strangers, unobstructed by my positioning in the
theater.
The Strangers started out strong.
Opening with the "inspired by a true story" tagline and given a short narrative
on gruesome murders in the United States every year, I was ready to see one!
Though a necessary evil of storytelling, the 5 minute break of character
development meaning to link me somehow with the leads was dull. However,
once the director mistakenly thought I had bonded with them, the story started
to pickup. With the soundtrack as an obvious tone setter for the film, I
was instantly frightened by the door knocking, screeches, squeals and what I
like to call the "jump track" aspect. Jump Tracks are where someone hits a
high pitch sound accompanied by a deep bass thud whenever something pops up and
the audience is supposed to jump. The Strangers had a good sound mix and
it was effective in its intention. However, the sound was pretty much the
only positive in this one.
SPOILERS START (Don't worry,
you shouldn't see it anyway! Read on!):
I was inspired to see an effective
plan by the hero and heroin to sit tight with a loaded gun and wait. As
soon as they made this choice, I thought "fantastic! Someone will actually
do it right". Nope. Someone comes to help them and they accidentally
shoot him instead of the bad guys. I say roll the dead guy out of the way
and wait for the bad guys. They said, "run". Idiots!
After the killers have shown they can
break into the house, the two venture outdoors. When things go bad outside
they retreat to...the house? This part made absolutely no sense. It
is as if a soldier runs away from a ticking bomb, finds another and then returns
to the first. Idiots!
Where is the phone line to your house
located? I'm willing to bet that most people couldn't cut their phone line
if their lives depended upon it. My phone lines are in a locked box
attached to the side of my home with screws so long you'd need a 14V power drill
and at least 5 minutes of loud drilling to remove. The lines run from the
box directly to the inside of a pipe that leads two feet down into the ground
and is then buried underground to the street phone box, which is also locked.
Killers must all take a course at AT&T, because they always know where they are
and how to cut them efficiently. I accept that this happens in almost all
movies of this nature, but that doesn't change the absurdity of it.
If, at the end of the film, we are to
believe that one person lived, then how is it possible that "nobody really knows
what happened that night" could be valid, as the films introduction says?
SPOILERS ARE OVER
Logic tells you that if it says at
the beginning that it is "inspired by true events" and that "nobody really knows
what happened that night", that everyone dies. So that isn't a spoiler.
The actual deaths at the end of the film are disturbing. There were many
ways that the ending of this one could have been done that would have made it
truly terrifying or over the top gruesome. Either would have been more
entertaining.
This is NOT "based" on a true story.
It is "inspired" by a true story. There is a gap between these two terms
the size of The Grand Canyon. The film is VERY loosely based on the legend
of Cabin 28 (www.cabin28.com), where a mysterious murder occurred and was never
solved. If you dig too deeply into the basis, you'll see that it had
little to no similarity to The Strangers.
First time director Bryan Bertino had
his hands full with this one. Give me a team of Michael Jordan, Shaq, Kobe
Bryant, Larry Bird and Magic Johnson and I can win a championship. Give me
the roster of the Charlotte Bobcats and it becomes far more difficult.
Composition and length of shots are strong enough, but there is just no story
here. Acting is fine, but the cast is reading throwaway lines that could
be written by the average 8 year old. We had few words uttered by the
killers and zero explanation for who they are or why they do what they do.
I suppose this was the fear of it, that it could have been entirely random.
However, if this was the case then why have them speak at all?
The only truly terrifying lines in
the film are when Tyler's character says "why are you doing this to us?" and the
killers calmly respond, "because you were home". It is that line alone
that keeps this movie from failing and that inspires a little bit of fear in
everyone that sees it.
The potential of a good horror film
never existed in The Strangers. It is one that I wonder why people like
Speedman and Tyler signed on for. The style of the director and the
jumpiness will entertain those who are just out for a good scare, but I'd bet
even that audience won't like the ending. For me, the scares just weren't
enough to recommend seeing it.
The AntiChrist's Rating: B : first of all, you are not supposed to judge every little bad detail in a movie or show. you simply give an overall, justified review. secondly, when you mentioned the part in the movie where the man walks in and the protaganist shoots him, i'm pretty sure you woud'nt just roll over your BEST FRIENDS body and not care about it. you would be sobbing just like everyone else in the world. And another thing regarding to them retreating to the house, where do you honestly think their going to go? walk to Mcdonald's? their car was destroyed and even if it wasn't would you run into the woods at 1:30 at night? all i'm trying to say is when your in the moment and you have very little time to think, theres a good chance your not going to think your going to go on what your instincts tell you to. Furthermore, not everyone has a fancy power box like you. in fact, i'm willing to bet all the way out there in the woods that they don't have a modern phone line like everyone else living in the burbs. So again its not "absurd" to have a phone line cut in the middle of nowhere to add a little fear and suspense into the character/ audiences minds. Lastly, i will agree with you on the ending because it simply made hardly any sense. yes the acting was fine, but the identity of the killers was simply unimportant in the story. if the director wanted you to know who the killers were he would have made it clear. the point he was trying to make was that it could have been anyone, and that is what he wanted the audience to keep asking themselves "who could it have been?". oh and one other thing, good horror elements were most definatly displayed in the movie. sure, most of these may have been cliches but it doesnt mean that they arent present. so all i ask is before you go off and write a review on a movie you just saw, think long and hard at what the director wanted to see and how he wanted you to feel.
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