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The Sisterhood Of The Traveling Pants 2

Average User Rating:

C-

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Year Released: 2008

Date Reviewed: 8/07/08

Genre: Comedy, Drama

Rating: PG-13

Screening provided by:

Click for Rochester, MN theater info

Synopsis:

 

In "Sisterhood of the Traveling Pants 2," based on Ann Brashares' best-selling series of novels, four young women continue the journey toward adulthood that began with "The Sisterhood of the Traveling Pants." Now three years later, these lifelong friends embark on separate paths for their first year of college and the summer beyond, but remain in touch by sharing their experiences with each other as they always have-with honesty and humor. Discovering their individual strengths, fears, talents and capacity for love through the choices they make, they come to value more than ever the bond they share and the immeasurable power of their friendship.

 

The Freak's Rating: C- : Before the girls who read my reviews leave based on the grade I gave it, allow me to say that I am a fan of the first film in this series.  I felt an honest pulling of the heartstrings during moments of it and truly enjoyed the characters.  Now that most of the guys who read my reviews have left, those who are still with me proceed to read the review.

 

Directing of Sisterhood 2 is flat as it could be.  First time feature film director Sanaa Hamri is obviously trying to find her style, but she should do so while filming something other than a theatrical release.  The experimentation is obvious and shots are thrown together with no true sense of consistency.  Writing isn't quite as cheesy as the previous film, but still goes over the top in delivery with some characters.  The cheesiness was acceptable in the first film because the overall casting chemistry and honest portrayal of emotion overpowered it. 

 

As most sequels do, Sisterhood attempts to pick us up at the end of the first film and drop us right into life a few years later.  Flaws of the film immediately begin to show.  Apparently all of the characters hit the reset button with their emotional lives at some point between the two films.  The adorable Bailey, a child with a terminal illness (and the cheesiest lines ever written), had an effect on Tibby in the first film that seemed to truly shape her outlook on life.  Even though a visit to Bailey's grave by Tibby and her boyfriend Brian is shown in the opening sequences, Tibby soon goes on an emotional ride that seems as if she'd never met Bailey or learned a thing from her.  Carmen (America Ferrera), who struggled through a difficult relationship with her father in the first film, now seems to have completely turned her back on him.  Her father isn't mentioned once in the film and the focus is instead turned upon her struggles with her mother.  This could be forgiven if the first film didn't close on their emotional reconciliation.  Bridget (Blake Lively) is still coping with the suicide of her mother, a storyline that you're tired of the moment it recurs.  Leena (Alexis Bledel), losing about 10-15 pounds unnecessarily since the first film, has somehow drifted apart from the Greek fisherman from the first film, only to (of course) realize she still loves him.  Storylines are flat compared to the beautiful writing arc they fell under in the predecessor. 

 

Casting was wonderfully done, but cannot be attributed to the casting director on the sequel since they were truly cast in the first film.  Chemistry between three of the primary characters was well done (Blake Lively has always been kind of thrown in there as the supposed best-looking one and has never fit in).  Sisterhood 2 attempts to regurgitate the magic of the first film, failing at nearly every turn.  Nonetheless, performances by the lead actresses are solid and America Ferrera shines as the most talented of the bunch.  It is always nice to see a take on the teenage girl that doesn't involve a prom, a parental sabotage or an alternate identity, so you can't completely fault the studios for wanting to stretch out the series of books across as many films as they can.  Audiences who love the characters may forgive the lack of storytelling, but those who require good character arcs will be disappointed.

 

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