Synopsis:
Brennan Huff (Will Ferrell) is a
thirty-nine-year-old who has never left home and
lives with his divorced mother, Nancy Huff (Mary
Steenburgen). Dale Doback (John C. Reilly) is a
forty-year-old who also has never left home and
lives with his widower father, Dr. Robert Doback
(Richard Jenkins). After Nancy and Robert marry,
the two sons are forced to become step brothers.
The Freak's
Rating: C : Sometimes
going to the movies is a gamble. When the
latest Michael Bay film hits theaters, it might
be The Rock or it might be Transformers,
the latter sucking as much as a film could.
Will Ferrell movies are an even riskier gamble
than action films. At their center, action
movies always contain some form of mindless
entertainment, usually containing explosions and
gunfire, leaving even the most horrible story
entertaining on some level. When comedies don’t
work, they are horrible, much like Anchorman,
one of my biggest disappointments in recent
years. When they work they are wonderful, but
there is rarely an in between.
Stepbrothers, however, ventures into the area of
being in between, so much so that it merits a
perfect C on my scale, a 75 out of 100 if we’re
taking percentages (which we don’t). SNL cast
members rarely jump successfully onto the big
screen. Most stumble through mediocrity with
films like Baby Mama
and Night At The Roxbury. Ferrell hit box
office gold with his turn in Elf, thrusting him
into stardom and via box office take virtually
greenlighting any project he puts his name on.
This methodology has hit highs and lows with a
resume containing Talladega Nights, Anchorman,
Blades Of Glory,
Stranger Than Fiction and Semi-Pro.
Playing virtually the same character for the
last few films, Farrell is in familiar territory
in Stepbrothers, but not entirely a duplication
of his previous performances. John C Reilly,
one of my favorite actors, is as convincing a 40
year old child as Ferrell and shares the
spotlight with Ferrell equally, a task many
can't pull off. Supporting cast members overact
their roles, no doubt attempting to pull off
O’Reilly’s screen-sharing ability, all failing
miserably at it. Obscenities are scattered
throughout the film and some are more effective
than others. The funniest moments of the film
are innocent rather than obscene, scenes where
Ferrell's childhood curiosity and language come
out of an adult mouth come to mind. The
screenwriters, as usual, tend to abuse the use
of obscenities to attempt to garner laughs.
Storylines for comedies are always difficult to
pull off. When Stepbrothers has its reveal
during the third act of the film, it comes as no
surprise and is completely ineffective. The
message of “staying a child” and keeping your
innocence is a decent one when handled
correctly, but Stepbrothers goes over the top
with its delivery and therefore loses out on a
convincing ending.
Farrell’s performance is still humorous and the
back and forth with O’Reilly does produce a few
laugh out loud moments. So even though many
comedies are better than this one, fans who can
overlook storylines and overacting of cheap
dialogue will still get a kick out of this one.
For the rest of you, try to find a theater
showing Sex and the City
for a better laugh.
Matt's Rating:
D :
I can pop in any recent will ferrell movie and
get the same exact character every time. A
stumbling idiot who is immature and makes a fool
of himself. Always getting angry and yelling.
Will can be very funny sometimes, unfortunately
he has fallen into doing the same thing over and
over again. I laughed a couple of times but
there was nothing that made it stand out for
me. Watch Talladega nights (since it's pretty
much the same character) at home and save your
money.
Jen's Rating:
C- : This was funny but not a classic
like some other Will Ferrell movies. Then again
some Will Ferrell movies are really bad. This
is right in the middle. I don't think I'll be
seeing this again.
Sebastian's
Rating: C- : no tallageta knights was
the only good will ferrel movie, and old school.
Storminator's
Rating: C+ : I still like Will Farrell. I
don't know why, since I actually don't like most
of his movies. Overall, this was mediocre, but
some of the over-the-top dialogue between the
"brothers" lent a bit of salvation.
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